在疫情期间，时光的流逝塑造了我的性格。世界仿佛静止了，就像我阳台上的相机一样。我凝视着画面中那一小片世界，以及我们共同身处的这个独特时刻。我专注地聆听着那突如其来的寂静。然而，在我阳台下方，放缓节奏的生活仍在继续。新的角色如同在舞台上一般穿梭往来。

An actress cures an aged flirt by posing as his wife.

在这部1969年的实验电影中，可以看到我对嘴巴主题探索的萌芽，这一主题在1973年的“开口”展览中得到了充分展现。我对着镜子吹气、亲吻镜子，涂抹口红，把自己变成一座白色雕像并画上血红色的嘴唇……然后我在一面变形的镜子里变成了一个面具，一张长着许多嘴唇的脸……在最后一个片段中，我用灯光环绕自己的脸……

Three children become Super Hero's at night. During the school day a problem arises, and during the night the culprit is found by the PJ Masks and the problem gets solved by sharing ideas, recognizing strengths and weaknesses, and the ability of working together to get the problem solved. Everything is made right for the children the next day thanks to the PJ Masks. Because bedtime is the right time to fight crime.

Journey through the human experience as the pandemic tests what we are made of both as individuals and as a culture.

No Masks from Theatre Royal Stratford East and Moonshine Features present a new work based on the real-life experiences and testimonies of key workers from East London.

12 random people receive a box containing a mask and a note inviting them to a mysterious mansion. The note contains only two instructions. Come alone and bring the mask. They may be unsure why they have been chosen to be part of this event, but one thing is for sure. They will never be the same.

The film consists of the children's novellas: "Men", "Metodievna", "Khecho", "Grapes", "Champions", "Hat", "Eagles". Each of them tells us about kindness and justice, Georgian traditions and hospitality, and the characteristic qualities of Georgians.

Nicola Peccoli has always nurtured his niece Giovanna, an orphan since the age of two and now of age, but he does not look favorably on her beloved Mario because he is just a simple employee and a lower class of society.

NHK的第22部晨间剧。舞台在是从昭和初期到战争结束的动乱时期的濑户内。川村ミヨ（爱原智子饰）出生在一艘运煤船上，在她的父亲喜市（井上昭文饰）离开了船后，她在广岛长大。为了养家糊口，她去京都的咖啡店工作，但最终带着没有亲戚的孩子回家。这个爱情故事以美丽的濑户内为背景，描绘了一个养育了许多孩子并过着光明自由生活的女人的动荡半生。